EN326: Difference between revisions
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= Patchbays = | = Patchbays = | ||
Several patchbays exist, creating easy access to the many multicore lines between the several rooms and gear in [[EN326]]. | Several patchbays exist, creating easy access to the many multicore lines between the several rooms and gear in [[EN326]]. | ||
== Patchbay 1 == | |||
{| class="wikitable sortable" | |||
! colspan="3"| Row 1 !! colspan="3"| Row 2 | |||
|- | |||
! Connector !! Connected by !! Signal !! Connector !! Connected by !! Signal | |||
|- | |||
| 1 || rowspan="8" | M8 11 || [[RME Micstasy]] analog OUT 1 || 1 || || | |||
|- | |||
| 2 || [[RME Micstasy]] analog OUT 2 || 2 || || | |||
|- | |||
| 3 || [[RME Micstasy]] analog OUT 3 || 3 || || | |||
|- | |||
| 4 || [[RME Micstasy]] analog OUT 4 || 4 || || | |||
|- | |||
| 5 || [[RME Micstasy]] analog OUT 5 || 5 || || | |||
|- | |||
| 6 || [[RME Micstasy]] analog OUT 6 || 6 || || | |||
|- | |||
| 7 || [[RME Micstasy]] analog OUT 7 || 7 || || | |||
|- | |||
| 8 || [[RME Micstasy]] analog OUT 8 || 8 || || | |||
|- | |||
| 9 || || || 9 || || | |||
|- | |||
| 10 || || || 10 || || | |||
|- | |||
| 11 || || || 11 || || | |||
|- | |||
| 12 || || || 12 || || | |||
|- | |||
| 13 || || || 13 || || | |||
|- | |||
| 14 || || || 14 || || | |||
|- | |||
| 15 || || || 15 || || | |||
|- | |||
| 16 || || || 16 || || | |||
|- | |||
| 17 || rowspan="8"| M8 12 || DVD analog OUT 1 || 17 || rowspan="8"| D-sub DB-25 || 1B Andiamo IN 1 | |||
|- | |||
| 18 || DVD analog OUT 2 || 18 || 1B Andiamo IN 2 | |||
|- | |||
| 19 || DVD analog OUT 3 || 19 || 1B Andiamo IN 3 | |||
|- | |||
| 20 || DVD analog OUT 4 || 20 || 1B Andiamo IN 4 | |||
|- | |||
| 21 || DVD analog OUT 5 || 21 || 1B Andiamo IN 5 | |||
|- | |||
| 22 || DVD analog OUT 6 || 22 || 1B Andiamo IN 6 | |||
|- | |||
| 23 || CD analog OUT 1 || 23 || 1B Andiamo IN 7 | |||
|- | |||
| 24 || CD analog OUT 2 || 24 || 1B Andiamo IN 8 | |||
|- | |||
| 25 || rowspan="16"| M16 15 || AF1 IN 1 || 25 || rowspan="8"| D-sub DB-25 || 1B Andiamo IN 9 | |||
|- | |||
| 26 || AF1 IN 2 || 26 || 1B Andiamo IN 10 | |||
|- | |||
| 27 || AF1 IN 3 || 27 || 1B Andiamo IN 11 | |||
|- | |||
| 28 || AF1 IN 4 || 28 || 1B Andiamo IN 12 | |||
|- | |||
| 29 || AF1 IN 5 || 29 || 1B Andiamo IN 13 | |||
|- | |||
| 30 || AF1 IN 6 || 30 || 1B Andiamo IN 14 | |||
|- | |||
| 31 || AF1 IN 7 || 31 || 1B Andiamo IN 15 | |||
|- | |||
| 32 || AF1 IN 8 || 32 || 1B Andiamo IN 16 | |||
|- | |||
| 33 || AF3 IN 1 || 33 || rowspan="8"| D-sub DB-25 || 1B Andiamo IN 17 | |||
|- | |||
| 34 || AF3 IN 2 || 34 || 1B Andiamo IN 18 | |||
|- | |||
| 35 || AF3 IN 3 || 35 || 1B Andiamo IN 19 | |||
|- | |||
| 36 || AF3 IN 4 || 36 || 1B Andiamo IN 20 | |||
|- | |||
| 37 || AF3 IN 5 || 37 || 1B Andiamo IN 21 | |||
|- | |||
| 38 || AF3 IN 6 || 38 || 1B Andiamo IN 22 | |||
|- | |||
| 39 || AF3 IN 7 || 39 || 1B Andiamo IN 23 | |||
|- | |||
| 40 || AF3 IN 8 || 40 || 1B Andiamo IN 24 | |||
|- | |||
| 41 || rowspan="8"| M8 13 || [[RME Fireface UFX]] analog OUT 1 || 41 || rowspan="8"| D-sub DB-25 || 1B Andiamo IN 25 | |||
|- | |||
| 42 || [[RME Fireface UFX]] analog OUT 2 || 42 || 1B Andiamo IN 26 | |||
|- | |||
| 43 || [[RME Fireface UFX]] analog OUT 3 || 43 || 1B Andiamo IN 27 | |||
|- | |||
| 44 || [[RME Fireface UFX]] analog OUT 4 || 44 || 1B Andiamo IN 28 | |||
|- | |||
| 45 || [[RME Fireface UFX]] analog OUT 5 || 45 || 1B Andiamo IN 29 | |||
|- | |||
| 46 || [[RME Fireface UFX]] analog OUT 6 || 46 || 1B Andiamo IN 30 | |||
|- | |||
| 47 || [[RME Fireface UFX]] analog OUT 7 || 47 || 1B Andiamo IN 31 | |||
|- | |||
| 48 || [[RME Fireface UFX]] analog OUT 8 || 48 || 1B Andiamo IN 32 | |||
|} | |||
== Patchbay 2 == | |||
== Patchbay 3 == | |||
== Patchbay 4 == | |||
== Patchbay 5 == | |||
== Patchbay 6 == | |||
== Patchbay 7 == |
Revision as of 16:51, 26 September 2017
Overview
The engineering room EN326 holds the two workstation and matrix computers for EN324 and EN325. Additionally it is host to the computers used to render audio for the Wave Field Synthesis in the small studio.
All digital to analog and analog to digital conversion takes place in here.
Most signals can be patched using the patchbays.
The room is connected with the two studios, EN327 and EN328.
Rack
The 19" racks hold several patchbays, a MADI bridge, the wordclocks for both studios and their DACs.
As long as one of the power keys is turned to 1, the rack will have power.
Connections
EN326 - EN326
Multicore | Signal path | Signal | From | To | Connector type in room | Patchbay | Row | Connector | Shield | Hot (+) | Cold (-) |
---|---|---|---|---|---|---|---|---|---|---|---|
M16 70 | 1 | AK 1 IN 1 | EN326 Connector box AK 1 | EN326 Patchbay 7 | XLRf Connector | 7 | 1 | 1 | gray | white | brown |
2 | AK 1 IN 2 | 7 | 1 | 2 | gray | white | green | ||||
3 | AK 1 IN 3 | 7 | 1 | 3 | gray | white | yellow | ||||
4 | AK 1 IN 4 | 7 | 1 | 4 | gray | white | gray | ||||
5 | AK 1 IN 5 | 7 | 1 | 5 | gray | white | pink | ||||
6 | AK 1 IN 6 | 7 | 1 | 6 | gray | white | blue | ||||
7 | AK 1 IN 7 | 7 | 1 | 7 | gray | white | red | ||||
8 | AK 1 IN 8 | 7 | 1 | 8 | gray | white | black | ||||
9 | AK 1 OUT 1 | XLRm Connector | 7 | 2 | 1 | gray | white | violet | |||
10 | AK 1 OUT 2 | 7 | 2 | 2 | gray | white | white/brown | ||||
11 | AK 1 OUT 3 | 7 | 2 | 3 | gray | white | white/green | ||||
12 | AK 1 OUT 4 | 7 | 2 | 4 | gray | white | white/yellow | ||||
13 | AK 1 OUT 5 | 7 | 2 | 5 | gray | white | white/gray | ||||
14 | AK 1 OUT 6 | 7 | 2 | 6 | gray | white | white/pink | ||||
15 | AK 1 OUT 7 | 7 | 2 | 7 | gray | white | white/blue | ||||
16 | AK 1 OUT 8 | 7 | 2 | 8 | gray | white | white/red | ||||
M16 71 | 1 | AK 2 IN 1 | EN326 connector box AK 2 | EN326 Patchbay 7 | XLRf Connector | 7 | 1 | 9 | gray | white | brown |
2 | AK 2 IN 2 | 7 | 1 | 10 | gray | white | green | ||||
3 | AK 2 IN 3 | 7 | 1 | 11 | gray | white | yellow | ||||
4 | AK 2 IN 4 | 7 | 1 | 12 | gray | white | gray | ||||
5 | AK 2 IN 5 | 7 | 1 | 13 | gray | white | pink | ||||
6 | AK 2 IN 6 | 7 | 1 | 14 | gray | white | blue | ||||
7 | AK 2 IN 7 | 7 | 1 | 15 | gray | white | red | ||||
8 | AK 2 IN 8 | 7 | 1 | 16 | gray | white | black | ||||
9 | AK 2 OUT 1 | XLRm Connector | 7 | 2 | 9 | gray | white | violet | |||
10 | AK 2 OUT 2 | 7 | 2 | 10 | gray | white | white/brown | ||||
11 | AK 2 OUT 3 | 7 | 2 | 11 | gray | white | white/green | ||||
12 | AK 2 OUT 4 | 7 | 2 | 12 | gray | white | white/yellow | ||||
13 | AK 2 OUT 5 | 7 | 2 | 13 | gray | white | white/gray | ||||
14 | AK 2 OUT 6 | 7 | 2 | 14 | gray | white | white/pink | ||||
15 | AK 2 OUT 7 | 7 | 2 | 15 | gray | white | white/blue | ||||
16 | AK 2 OUT 8 | 7 | 2 | 16 | gray | white | white/red |
Patchbays
Several patchbays exist, creating easy access to the many multicore lines between the several rooms and gear in EN326.
Patchbay 1
Row 1 | Row 2 | ||||
---|---|---|---|---|---|
Connector | Connected by | Signal | Connector | Connected by | Signal |
1 | M8 11 | RME Micstasy analog OUT 1 | 1 | ||
2 | RME Micstasy analog OUT 2 | 2 | |||
3 | RME Micstasy analog OUT 3 | 3 | |||
4 | RME Micstasy analog OUT 4 | 4 | |||
5 | RME Micstasy analog OUT 5 | 5 | |||
6 | RME Micstasy analog OUT 6 | 6 | |||
7 | RME Micstasy analog OUT 7 | 7 | |||
8 | RME Micstasy analog OUT 8 | 8 | |||
9 | 9 | ||||
10 | 10 | ||||
11 | 11 | ||||
12 | 12 | ||||
13 | 13 | ||||
14 | 14 | ||||
15 | 15 | ||||
16 | 16 | ||||
17 | M8 12 | DVD analog OUT 1 | 17 | D-sub DB-25 | 1B Andiamo IN 1 |
18 | DVD analog OUT 2 | 18 | 1B Andiamo IN 2 | ||
19 | DVD analog OUT 3 | 19 | 1B Andiamo IN 3 | ||
20 | DVD analog OUT 4 | 20 | 1B Andiamo IN 4 | ||
21 | DVD analog OUT 5 | 21 | 1B Andiamo IN 5 | ||
22 | DVD analog OUT 6 | 22 | 1B Andiamo IN 6 | ||
23 | CD analog OUT 1 | 23 | 1B Andiamo IN 7 | ||
24 | CD analog OUT 2 | 24 | 1B Andiamo IN 8 | ||
25 | M16 15 | AF1 IN 1 | 25 | D-sub DB-25 | 1B Andiamo IN 9 |
26 | AF1 IN 2 | 26 | 1B Andiamo IN 10 | ||
27 | AF1 IN 3 | 27 | 1B Andiamo IN 11 | ||
28 | AF1 IN 4 | 28 | 1B Andiamo IN 12 | ||
29 | AF1 IN 5 | 29 | 1B Andiamo IN 13 | ||
30 | AF1 IN 6 | 30 | 1B Andiamo IN 14 | ||
31 | AF1 IN 7 | 31 | 1B Andiamo IN 15 | ||
32 | AF1 IN 8 | 32 | 1B Andiamo IN 16 | ||
33 | AF3 IN 1 | 33 | D-sub DB-25 | 1B Andiamo IN 17 | |
34 | AF3 IN 2 | 34 | 1B Andiamo IN 18 | ||
35 | AF3 IN 3 | 35 | 1B Andiamo IN 19 | ||
36 | AF3 IN 4 | 36 | 1B Andiamo IN 20 | ||
37 | AF3 IN 5 | 37 | 1B Andiamo IN 21 | ||
38 | AF3 IN 6 | 38 | 1B Andiamo IN 22 | ||
39 | AF3 IN 7 | 39 | 1B Andiamo IN 23 | ||
40 | AF3 IN 8 | 40 | 1B Andiamo IN 24 | ||
41 | M8 13 | RME Fireface UFX analog OUT 1 | 41 | D-sub DB-25 | 1B Andiamo IN 25 |
42 | RME Fireface UFX analog OUT 2 | 42 | 1B Andiamo IN 26 | ||
43 | RME Fireface UFX analog OUT 3 | 43 | 1B Andiamo IN 27 | ||
44 | RME Fireface UFX analog OUT 4 | 44 | 1B Andiamo IN 28 | ||
45 | RME Fireface UFX analog OUT 5 | 45 | 1B Andiamo IN 29 | ||
46 | RME Fireface UFX analog OUT 6 | 46 | 1B Andiamo IN 30 | ||
47 | RME Fireface UFX analog OUT 7 | 47 | 1B Andiamo IN 31 | ||
48 | RME Fireface UFX analog OUT 8 | 48 | 1B Andiamo IN 32 |